“While rooted in jazz, this program embraces the power and artistry of hiphop, rhythm & blues and other genres students and instructors want to explore together. We strive to bring together students of a multitude of cultural and musical backgrounds in an innovative music-making environment.”
– Justin Christy, Board Chair
Minnesota Jazz Education
About Experience Jazz
Experience Jazz is a genre-bridging music ensemble program for instrumentalists, vocalists, rappers, DJs and other aspiring musical artists. The goal of this program is to foster creativity and collaboration by bringing together aspiring artists from diverse backgrounds with a common desire to make new music rooted in jazz, blues, pop and hip-hop. Learn more about this year’s program, below!
Musicians of all skill levels, grades 7-12 are encouraged to participate! No prior jazz experience required. Read on for information about this year’s program, and past years’ programming.
When & Where
How to Participate
Interested students can sign up to audition for Experience Jazz in the weeks leading up to the start of each year’s program. Accepted students are placed into one of 3 groups based on interest, instrumentation and skill level. Each year features a new teaching artists roster, and timing and application requirements may change, so if you hope to participate in the future, check back for information about next year’s program.
The program fee varies by year. Financial assistance available upon request to anyone who needs it–no questions asked.
With questions, contact MN JazzEd Executive Director, Katia Cardenas – katia [at] mnjazzed.org.
Experience Jazz 2022 - Auditions
Returning Fall 2022
Auditions for Experience Jazz have been extended to include video submissions, through Monday, October 10, 2022. If accepted, students will attend Saturdays 11am-1:30pm October 15-January 21 (off November 26, December 24 and 31). Students and families interested in auditioning are invited to complete an audition form.
This audition is an opportunity for you to showcase your current level of musicianship, potential for growth, and readiness to succeed in our learning environment. In Experience Jazz we want to hear from you and to get to know you better as a performer to bring you the best possible learning experience, and help you grow in your musical journey. Audition requirements differ for our Performance and Production Groups. Please review, below. Audition submissions must be received by Monday, October 10, 2022.
- A prepared piece (students choice). Your prepared piece must be:
- Recorded video of a live performance (no editing or splicing takes, please)
- 2-4 minutes in length.
- Of any style you feel most comfortable with (jazz, funk, classical, etc.)
- Performed a cappella or with a backing track.
- Drummers and percussionists ONLY
- Play the tunes “Someday my prince will come” (swing in 3/4) and “Chicken” (funk in 4/4) as well as as sample of different genres that they are familiar with such as latin, funk, blues, pop, rock, etc. If needed, tracks can be send out to perform with.
Past Years of Experience Jazz
- 2021 -
As the COVID-19 pandemic continued, Experience Jazz 2021 ran over 12 weeks, March 20 to June 12, 2021 (March & April online, May-June in-person). Online sessions took place Saturdays 10:30am-12:30pm. We moved the instrumental ensembles to in-person at HSRA while production students remained online. Each ensemble got to rehearse and record 2 songs in a live recording session, and perform their music for parents at an outdoor pizza party for families. The Studio Group remained online, creating beats, compositions and collaborations using SoundTrap, a collaborative online digital audio workstation (DAW).
Teaching artists included Jeff Bailey, Kavyesh Kaviraj and DJ Mickey Breeze, with Teaching Assistants DeCarlo Jackson and Cody LeDuc, with HSRA support from Phil Espinosa.
This activity was funded, in part, by an appropriation from the Minnesota State Legislature with money from the State’s general fund.
2021 Teaching Artists
Jeff Bailey has performed in a wide variety of musical settings as a musician, composer, producer, and educator. He has performed with world renowned artists: Craig Taborn, The Steeles, James Carter, Joey McIntyre (NKOTB), Eric Gravatt, Charles Lazarus, Rodney Jones, Doc Severinsen, Minnesota Orchestra, SPCO, Wessel Anderson, Jonatha Brooke, Geoff Keezer, Andres Prado, Chastity Brown, “Doc” Martin, Fareed Haque, Justin Robinson, Charley Drayton, and James Moody.
Jeff has composed original music and sound design for: The Royale (Yellow Tree), Rule of Thumb (Park Square), Target’s Lifescape series, Crowns (New Dawn Theater), B.A.M’s Next Wave Festival, White Savior (Sparkhouse), and Punic Wars (Keith Antar Mason and The Hittite Empire).
Jeff served as Bass Department Head at McNally Smith College of Music for six years, developing and implementing a curriculum that integrated modern music technology with traditional conservatory culture. He has also often lectured around the US and abroad on the merits of “Organizing Your Creativity” as a tool for beginning improvisers. Jeff is currently Director of the Certificate in Music Production program at Hamline University, which encourages traditional and non-traditional music makers to gain fluency with modern music technology.
He is thrilled to be part of the Hamline University education community, and excited to serve as Director of the Certificate in Music Production program.
Jeff is fiercely committed to how the power of music in the world unites and heals. He continues to compose, perform throughout the US and internationally, and run his Minnesota based LoweTone Studios. Jeff is certain each day is another opportunity for gratitude and joy.
Mickey Breeze is a DJ, Artist and teacher. With over 10 years of musical experience that started as early as the age of 5 years old, the word “prodigy” would be an understatement. He started playing instruments at age 5 and now plays trumpet, drums, piano, violin and cello. At age 8, he began producing music electronically, and by age 10, DJing seemed like the logical next step that combined production with the knack for live performance he picked up as a musician.
Unlike some DJs who just press play, Breeze uses a drum pad controller to add percussion and transitions over the top of the tracks he plays, as well as create entire beats, adding a unique live performance layer to his DJ sets. His sets include everything from hip hop to EDM, from R&B to lo-fi beats, and as a musician himself he likes to work in his own edits, remixes and original productions.
Breeze has had some very high-profile gigs as a DJ, including playing at the SXSW music festival, three times at the “Twin Cities Pride Festival”, the “Tostitos Cantina Bowl” during the Super Bowl LII festivities, Twin Cities Dilla Days, the St. Paul Winter Carnival, the 50 Years of Ebony Fashion Fair and opening for the afropunk band, “AstralBlak”. He was also the former house DJ for the Minneapolis-based Music Television show “Candy Fresh”. In 2019, he participated in the Deeper Learning Conference in San Diego, and was also a featured DJ at the “Last of the Record Buyers” tent for the SOUNDSET FESTIVAL, the Midwest’s largest One-Day Outdoor music festival.
As a producer, Breeze has scored a short film for the artist Shuree Rivera, produced a track for the Twin Cities-based Hip-Hop Artist, Niles, won a 2017 beat battle at the electronic music school “Slam Academy”. He is the current, 7 time Beat battle Champion of the Twin Cities. He is also a former teacher for the “Twin Cities Mobile Jazz Project”. In addition to his musical pursuits, Breeze has a bit of entrepreneurial streak: he created and sold a line of merchandise all his own designs. Breeze is also a hip-hop artist and lyricist. In 2019, he released his debut project, “T.Y.F.E”, a project based on an explanation of Mickey Breeze’s introverted tendencies, anxieties, and an address of the problems that he deals with in his life.
Breeze’s accomplishments would be impressive if they had been achieved by someone ten years his senior, but the fact that he has done so while not even of legal age to enter several of the clubs he has played at makes what he has done that much more remarkable. With the experience of a veteran DJ, musician, and producer under his belt before he’s even received a high school diploma, Breeze’s future is looking incredibly bright.
Kavyesh Kaviraj is a pianist, composer and arranger from India. Although primarily a jazz pianist, he is known for his versatility as a musician; thanks to his experience in different musical climates he is closely involved with settings of many different genres and styles.
Kavyesh was introduced to music at a very young age; born into a musical family, he started playing the piano at the age of 2, and has since been garnering experience towards an expansive international career. Thanks to his family’s rich musical ancestry, Kavyesh has been fortunate to be educated in both Western classical and contemporary music, but also in Indian Classical music, including both Carnatic and Hindustani styles. He often attributes this wide span of musical taste and experience to his education and cultural involvement within his childhood. Born to Indian parents in Oman, he began his fledgling musical career in the small town of Sohar, from where he moved to India to further his musical development and education, and subsequently pursued a professional music education in the United States. He has garnered attention and acclaim from the various musical environments he has been a part of, including Indian, Middle-Eastern and American shores.
Kavyesh graduated from Columbia College Chicago in 2018, with a Bachelor of Music degree in Jazz Studies and Contemporary Music. In 2019, Kavyesh received a full tuition grant to pursue a Masters’ degree at Berklee College’s Global Jazz Institute, where he was under the eminent tutelage of several jazz masters including Danilo Perez, Kenny Werner, JoAnne Brackeen among many others.
Kavyesh is a member of the jazz quintet Mississippi, set to release their second album in 2021. He has performed with national and international artists from many different genres, including Roosevelt Collier, Jay Young and the Lyric Factory, Yolande Bruce, Debbie Duncan, Bruce Henry, Nooky Jones, Kevin Washington Quintet, Jamecia Bennett, Maryam Yusafzadeh, Desdamona, Toki Wright and several others. Recently Kavyesh’s project KAYE Music, where he is the leader and composer, has gathered attention in the Twin Cities. KAYE Music will release a 4-track EP in 2021.
Kavyesh is also a passionate music educator, with experience as a private instructor and experience as an educator in music academies and public schools alike, and enjoys leading jazz workshops and teaching music classes for children and youth. His compositions and arrangements for various ensembles and configurations have been featured on radio, TV and collaborative exhibitions.
DeCarlo Jackson (pronouns: he/him) is an eclectic musician born and raised in the Twin Cities of Minnesota. Primarily known for his trumpet and auxiliary instrumentation in the internationally recognized indie-rock band Hippo Campus, DeCarlo is also known in the local music community as a bandleader, teacher, producer, stage manager, promoter, and more.
DeCarlo began his musical journey in the 4th grade, playing trumpet in his school band. Outside of school, he would take lessons at Walker West, where he had joined a jazz ensemble. Shortly after, DeCarlo would start his own jazz combo named Public Newsense, and at 13 he would play his first professional performance at the 2008 Jazz Festival in St. Paul.
Throughout his teenage years DeCarlo had many formative musical experiences such as playing in an Orchestra, starting the post-rock band Northern (with a few Hippo Campus members), as well as creating a live band for rapper Allan Kingdom. All the while still playing jazz festivals and concerts with groups like The Byzantine Sextet, Paper Airplane Society of America, The Capri Bigband, Cedric Fuller and Global Sound – as well as more educational outlets such as The Dakota Combo, Pipjazz, and various Walker West ensembles.
After graduating high school in 2013, DeCarlo went on to study Jazz Trumpet at the University of Winnipeg in Manitoba, Canada. After a few years he would make the decision to return to Minnesota to perform with friends locally. It was then that he transferred to McNally Smith School of Music and began collaborating with artists like Rajitheone, Ayvah, Doks Robotiks, Trio Miliey, FPA, the Mobile Jazz project and more. It was also then that he performed on the Conan O’Brian show with Hippo Campus, which eventually led him to officially join as a member of the band.
Though not able to tour for the foreseeable future due to COVID-19 restrictions, Hippo Campus is currently working on their 3rd major studio release, as well as an array of singles, LPs and side projects. DeCarlo also currently leads the jazz quintet Arlo, writes music for Dolls of the Wind, and is working on a new project called DMN alongside local songwriters Moise and Nael.
Though primarily focused on performance and songwriting, education has always been a pivotal part of DeCarlo’s music journey. Through his experience and passion, he’s able to connect with learning musicians and help them grow.
Cody LeDuc is a Twin Cities-based musician, composer/arranger, producer, & educator. Born and raised in Minneapolis, MN, Cody was first exposed to music performance through his church’s gospel choir at the age of 6. Shortly after, they picked up the trombone at 10. Cody studied music theory and trombone performance at Normandale Community College in Bloomington, MN, as well as trombone performance and production at McNally Smith College of Music in St. Paul, Minnesota. Their style is influenced by the likes of Fred Wesley, Christian Scott, Kamasi Washington, & many more. Cody has been mentored by the likes of Mike Nelson, Bob McChesney, and Corey Wilcox. They currently play locally with McNasty Brass Band, Black Market Brass, and iLLism. They have also collaborated with a host of bands including K-Libre 21, Sister Species, The iLLharmonic Orchestra, Nooky Jones, The Kirk Johnson Orchestra, LGCY (Muse), The 451st Army Bands, and the JazzMN Orchestra.
Phil Espinoza – HSRA Liaison
- 2020 -
In this historic year, Experience Jazz 2020 ran over 16 weeks, February 8 to May 23, 2020 (February-March in person, April-May online due to COVID-19). In-person sessions took place Saturdays 1:30-4:30pm at High School for Recording Arts (HSRA), a secure facility with ample free parking, centrally located in St. Paul, off University Avenue and Lexington Parkway.
Teaching artists included Arthur “L.A.” Buckner, Omar Adbulkarim and Scott Herold, with studio interns, HSRA Alumni DJ Mickey Breeze and TL Reigns.
When faced with the COVID-19 pandemic, we made the brave decision to move the program online. This enabled students the unique opportunity to continue learning together remotely, and learn how to record from home songs they composed and arranged in program, pre-COVID.
The students released “Experience Jazz 2020: The Sounds of Distance,” a full-length album featuring 13 tracks, all recorded from home in the early days of the pandemic. The songs included original compositions, interpretations of pieces by Roy Hargrove, Slum Village, War and Nneka, and as well as 5 remixes. Mixed and mastered by studio interns TL Reigns and DJ Mickey Breeze. Released through HSRA’s student-run record label “Another Level Records.” Read the full press release, here.
“Experience Jazz 2020: The Sounds of Distance,” is available worldwide on all digital platforms! Download, stream and add to your playlists now. Find us on Spotify, iTunes, YouTube Music, and Bandcamp. Proceeds go to supporting Minnesota Jazz Education.
This activity is supported, in part, by the City of Saint Paul Cultural Sales Tax Revitalization Program, by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.
- 2019 -
This activity is supported, in part, by the voters of Minnesota through a grant from the Metropolitan Regional Arts Council, thanks to a legislative appropriation from the arts and cultural heritage fund.
- 2018, The Pilot -
Experience Jazz launched in Fall 2017 with teaching artists Aaron Hedenstrom, Steven Hobert, Kenny Watson, and Lucia Sarmiento, led by Tasha Baron. In it’s inaugural year, the program took place every two weeks over the 2017-2018 school year, with 3 combos that embraced an innovative take on jazz education. Students created original music, and performed at local jazz venues.
This program kicked of in partnership with McNally-Smith College of Music, but by December, the college’s leadership shocked the local music community with its sudden closure, devastating hundreds of local music students and teachers, and leaving Experience Jazz with nowhere to go. The program found a new home at HSRA/Studio 4, which have proven to be committed partners, thanks in large part to Executive Director, Tony Simmons, and Business of Music teacher, Scotty Herold.
“On behalf of our founder David TC Ellis and our entire HSRA/Studio 4 family, we are proud to partner with MN Jazz Education on such an incredible project! This is what true community collaboration is all about and happens when young people are at the center of our collective work,” said Tony Simmons.
Twin Cities: Meets the Youth of Experience Jazz
The participants of Experience Jazz 2018 made their live performance debut at the Winter Jazz Festival at Crooners Lounge and Supper Club in January. Students from Experience Jazz and High School Performing Arts also performed at our Spring Gala at The Black Dog in May, and at Youth Stage at the Twin Cities Jazz Festival in June.